50 Years


50 Years of Australian Dance Theatre
A celebration of innovation

The Beginning

Elizabeth Cameron Dalman founds the Australian Dance Theatre, aiming to ‘open the horizons for provocative contemporary dance’. The premiere performance takes place in Adelaide’s new Shedley Theatre. Critics are divided over the company’s new and adventurous approach, but audiences are enthralled from the beginning.

The Elizabeth Dalman School of Modern Dance begins, attracting up to 300 students a week. Education is a key component of the Australian Dance Theatre from the start, with workshops, educational programs and open discussions before and after performances. The School also helps fund the theatre.

Over the next decade, the company builds a substantial repertoire and win an Australian audience base, attracting government funding. The company also wins international acclaim with tours to North America, Europe, Asia, India, Papua New Guinea and New Zealand.

Growth and Change

Jonathan Taylor is appointed artistic director. A former dancer from renowned UK company Ballet Rambert, he brings a distinctive style that revitalises the company. He creates a highly regarded body of work including Wildstars and Transfigured Night.

Ballet Victoria also ceases operations after 30 years. In a first-of-its-kind agreement, Australian Dance Theatre acts as the contemporary dance company for both South Australia and Victoria until 1984.

Australian Dance Theatre becomes the first Australian company invited to perform at the Edinburgh Festival.

As the company seeks a new director, former Adelaide Festival Director Anthony Steel and in-house Rehearsal Director Lenny Westerdijk are appointed artistic caretakers.

Molissa Fenley’s Descent into the Maelstrom is presented as part of the Adelaide Festival.

Leigh Warren is appointed as Artistic Director. A student of the Australian Ballet School, Warren became the first Australian performer to receive a Churchill Scholarship, forging his dance career with Ballet Rambert, Nederlands Dance Theater and Rudolf Nureyev before becoming a freelance choreographer. Warren’s aim is to ‘develop a truly Australian form of dance that expresses our culture’ and invites other Australians to create work for Australian Dance Theatre – Kate Champion and Graeme Murphy answer the call. A collaboration with America’s William Forsythe also comes to fruition.

The Tankard Era

With a background honed in Pina Bausch’s Tanztheater Wupperthal, Meryl Tankard is appointed artistic director, and bringing her own unique new style.

Through works such as Furioso and Aurora she introduces a range of additional performance elements to the company, including acrobatics, mime and image projection. It wins over audiences world over, finding particular success in Germany.

Elizabeth Cameron Dalman is awarded an Order of Australia Medal for service to contemporary dance.

Meryl Tankard departs from Australian Dance Theatre, and Bill Pengelly steps in as an interim artistic director until the appointment of Garry Stewart. During his time at the helm Pengelly produces two programs of new choreography, including Split.

New Horizons

Artistic Director Garry Stewart’s first piece is Housedance, performed on the western sails of the Sydney Opera House for the Millennium Broadcast in 2000.

Stewart creates a distinctive new dance vocabulary for the company, incorporating photography, video, robotics and other forms of new media. His ground-breaking work Birdbrain becomes the most performed work in the history of contemporary Australian dance.


Australian Dance Theatre has undergone a renaissance, winning 28 industry awards since 2002.

Firmly established as one of the world’s best known dance companies, it continues to perform to thousands across the globe. Garry Stewart’s ongoing and passionate interest in film, text, and multimedia mean the company is at the forefront of exploration of contemporary performance, the boundaries of the body and its modes of expression. 2014 saw the premiere of Multiverse, a major new live 3D performance, and the foundation of an Australian Dance Theatre Youth Ensemble.

In June 2015 we celebrated our 50th anniversary. We concluded a highly successful European season of Multiverse. We attended the Founder’s Celebration in Adelaide Arcade – the original ADT studios, organised by Elizabeth Cameron Dalman OAM.


The Beginning of Nature
construct by Tanja Liedtke
Be Your Self
Choreography (NIDA)
Mood Machine
Collision Course
Nought by Daniel Jaber
The Age of Unbeauty

What’s On

January 2019





31 Jan The Odeon Youth Ensemble audition Click here to receive an application form
08 8373 7733
22 - 24 Jan The Odeon School Holiday Workshops Click here to book
08 8373 7733

March 2019





12 - 18 Mar Queen Elizabeth II (Cunard) The Beginning of Nature Cunard

April 2019





4 - 5 Apr The Odeon, Norwood Anthology Click here to book
08 8373 7733

May 2019





3 - 6 May Joyce Theater, New York (USA) The Beginning of Nature Click here to book

June 2019





3 - 7 Jun The Odeon Secondment Week Click here for further info and to apply.
08 8373 7733
28 - 2 Aug The Odeon DanceFit/80's Click here to book.
08 8373 7733

September 2019





11 - 14 Sep Dunstan Playhouse, Adelaide Festival Centre North/South BASS


Australian Dance Theatre offers a range of education opportunities for secondary & tertiary students, graduates & the general public.

To download a soft copy of our Learning Program for Schools in 2019 – click here. *you may have to refresh the page.


Creating art is an intensive process requiring the resources, expertise and support of a network of individuals and organisations.

Australian Dance Theatre relies on the valuable support of its sponsors, stakeholders, members, friends and donors who share the company’s passionate commitment to furthering Australian culture and artists.

News & Media

Tanja Liedtke Fellowship closes 14 Dec 2018 - 13 December, 2018

Tomorrow is the last day to apply for the 2019 Tanja Liedtke Fellowship. The 2019 Fellowship is offered by the Tanja Liedtke Foundation in partnership with Berlin’s ada Studio and Australian Dance Theatre’s International Centre for Choreography (ADT ICC). In 2019, the ADT ICC will be managing the Fellowship application process in partnership with the… View Article

Humanhood residency - 22 January, 2018

In January 2018 the company were pleased to have Rudi Cole and Julia Robert, founding co-artistic directors of Humanhood, with us in the studios. Humanhood were amongst the winners at the Ballet Gesellschaft International Choreographic Competition in Hanover, which included a three-week scholarship with the company thanks to the generous support of the Tanja Liedtke Foundation. For… View Article

A look back on 2017 - 22 December, 2017

As we reflect on what has been a huge and exciting year for the company, we sincerely thank all our valued sponsors and supporters for ensuring that we are able to continue to create and perform new work, play a leading role as a cultural ambassador for Australia, and provide opportunities for the future generation… View Article

Body Image: the basis of who we are and how we act – workshop - 25 April, 2017

Body Image: the basis of who we are and how we act. Workshop – Sunday 18 June 10.00am-4:30pm, held at ADT Studios 126 Belair Road, Hawthorn. Join Associate Professor Susan Hillier of the University of South Australia for a special workshop for anyone interested in body image – clinicians, dancers, actors, yoga teachers, students, or… View Article

A look back on 2018 - 14 December, 2018

As we reflect on what has been a huge and exciting year for the company, we sincerely thank all our valued audiences, sponsors and supporters for ensuring that we are able to continue to create and perform new work, play a leading role as a cultural ambassador for Australia, and provide opportunities for the future… View Article

News Archive

23 December, 2016
A look back on 2016

23 December, 2016
Erin Fowler residency

24 October, 2016
Botis Seva residency

16 October, 2015
MALAGA – by Thomas Fonua

26 February, 2014
Thinking Brains & Bodies

16 December, 2013
Looking back on 2013