In 2000 Garry Stewart premiered his seminal dance work Birdbrain - a wry, action packed deconstruction of Swan Lake. Birdbrain has gone on to be the most performed Australian contemporary dance work in history. In 2008 Stewart continued his use of iconic ballet works with the debut of G, a powerful reworking of Giselle. G fuses the technical prowess of classical ballet with explosive and enthralling choreography.
Sex, death, hysteria and gender, the central themes of the work, are expressed through an eclectic choreographic approach that seamlessly interplays the body in dark collapse, teamed with full tilt athleticism and rapid fire deconstructed classicism. Dislocating and transcending the ballet's romantic narrative, G converts the dancers from characters in to visceral explorations of the emotional motifs found in Giselle.
The score was created by Luke Smiles, one of the luminaries of music composition for the new wave of Australian contemporary dance.
G was co-commissioned by The Joyce Theater's Stephen and Cathy Weinroth Fund for New Work (New York), Southbank Centre (London) and Merrigong Theatre Co. at Illawarra Performing Arts Centre (Wollongong). G was co-produced by Theatre de la Ville (Paris).